Rebuilding the Rights of Statues, commonly known as Re-TROS, is an experimental post-punk band from Beijing, China. Formed in 2003, the band consists of three members: Hua Dong (vocals, guitar, synth), Liu Min (vocals, bass, synth), and Huang Jin (drums).
Re-TROS emerged from the underground music scene in Nanjing and quickly gained attention for their unique sound, which combines elements of post-punk, electronic, and experimental music. Their music often reflects their experiences and observations of Chinese society, contributing to a broader understanding of contemporary Chinese culture through music.
Re-TROS push the boundaries of genre and convention. Their innovative use of technology, such as the Boss Loop Station pedal, has allowed them to create complex and layered compositions that challenge traditional music structures. Blending post-punk with electronic and experimental elements, Re-TROS have created a unique sound that resonates with audiences worldwide.
Members
Hua Dong
Hua Dong is a multi-instrumentalist and the primary vocalist and guitarist for Re-TROS. He was instrumental in forming the band and has a significant influence on its musical direction.
Dong’s style is heavily influenced by post-punk bands like Gang Of Four, Public Image Limited, and Talking Heads. He incorporates a variety of sounds, ranging from minimalist riffs to complex electronic arrangements.
Hua Dong’s innovative use of the Boss Loop Station pedal adds a unique dimension to Re-TROS’s music, allowing for the creation of diverse and layered soundscapes.
Liu Min
Liu Min is the bassist and secondary vocalist for Re-TROS. She also plays the synthesizer, contributing to the band’s rich and eclectic sound.
Min’s style blends traditional bass rhythms with electronic and experimental elements, providing a solid foundation for the band’s intricate compositions.
Her ability to seamlessly integrate bass and synth lines adds depth to Re-TROS’s music, enhancing its dynamic and multi-dimensional quality.
Huang Jin
Huang Jin is the drummer for Re-TROS and has been with the band since its early days. His rhythmic skills are a crucial component of the band’s sound.
Jin’s drumming is characterized by its precision and versatility, ranging from straightforward beats to complex, syncopated rhythms.
His drumming provides the backbone for Re-TROS’s experimental sound, driving the energy and intensity of their music.
Notable Releases
“Cut Off!” (2005)
Re-TROS’s debut release includes tracks that established their reputation in the Chinese underground music scene. The EP features a mix of post-punk and experimental sounds that set the stage for their future work.
The EP was recorded in Modern Sky’s basement studio with keyboard contributions from Brian Eno.
The record received critical praise in China, and soon the band was playing sold-out shows to a growing legion of die-hard fans.
“Cut Off!” is significant for its raw energy and innovative use of electronic elements, which distinguished Re-TROS from other bands in the Chinese music scene at the time.
“Watch Out! Climate Has Changed, Fat Mum Rises…” (2009)
This album showcases Re-TROS’s evolution, incorporating more electronic and experimental elements into their post-punk foundation. The tracks are longer and more complex, reflecting the band’s growing ambition and creativity.
The album is a milestone in Re-TROS’s career, demonstrating their ability to blend different genres and create a cohesive and compelling body of work.
“Before the Applause” (2017)
Released after a significant hiatus, this album marks a new era for Re-TROS. It incorporates EDM elements and features a more polished and refined sound. Tracks like “Hailing Drums” and “Red Rum Aviv” highlight the band’s experimental approach and innovative use of technology.
“Before the Applause” is notable for its bold experimentation and the incorporation of modern electronic influences. It has helped Re-TROS reach a wider international audience and solidify their reputation as pioneers in the experimental music scene.
